Photograph made by Karin Gottschalk with Fujifilm X-T3 and Fujinon XF 56mm f/1.2 R then processed in Alien Skin Exposure X4 using Summer Blockbuster cinematic preset. For shooting V-LogL, place the included VLT monitoring LUTs in the root directory of your SD card, place it in Slot 1, Select V-LogL View Assist, Read LUT File, select LPRO3. I'll give it a try anyway, but I thought I'd both share the links here in case of interest to anyone, and ask for any advice/input. Cinematographer/director Paul Leeming of Leeming LUT Pro and Visceral Psyche. Has anyone any expert view or experience that would support this idea? STAP Log gamma by (user name of the forum member that developed these settings): They claim the output is similar to the Canon C100, when used with the input LUT C100 CanonLog comparison shots (ungraded footage) were posted between the C100 actual camera and GH4 using these settings: Here’s a quick beta test of Paul Leeming’s latest version of his LUT to convert HLG to rec.709. Dave Dugdale and Caleb Pike on YouTube both recommended shooting Natural profile for its colour, but I'd not heard of people favouring Standard profile.Īs I understand it, some people from the Raitank forum (follow the link here on Google and click to translate to English: ) had run tests (they appear to be in the film industry), and discovered that dynamic range and quality is better than that of CinelikeD using these settings. You can make pretty much any of the recent Sonys look great with a click or two of your mouse thanks to an amazing corrective LUT called the LemmingLUT. He refers in one of his video descriptions to profile settings known as "STAP Log Gamma" (which I've never heard referred to in UK or USA sites discussing GH4 settings and grading) which uses the Standard camera profile. Installing Leeming LUT in DaVinci Resolve 17 - Tutorial - YouTube In this video I quickly cover how to configure DaVinci Resolve 17 to work with Leeming LUT's correctly. The Leeming LUT One system was developed in order to help cinematographers obtain the best image quality from their cameras by providing custom settings and LUTs to maximize dynamic range while minimizing noise and other artefacts such as banding and YUV chroma smearing. So I decided to follow some links to a Japanese forum. JOEL FAMULARO Phantom LUTs for Sony A7s3 & FX6 2023 Updated. I really like the colours, and the images seem beautiful to me. Yesterday I was browsing on YouTube and found some lovely GH4 footage from Japan from a YouTuber called Darwinfish105: (his other work is well worth a look, he now seems to film on Sony ARII and ARIII) But I have just read about another camera profile and input LUT combination from Japan, which I had never heard of despite following all the online chatter since buying my GH4 new in 2014. I like the Leeming LUT One, using in combination with VisionColour LUTs for the filmic look. I've been using CineD with the Leeming Lut One settings for CineD and their input LUT (which older Reddit grading posts seem to favour), and with James Miller's settings and LUTs. Leeming LUT Pro UNITITLED. I've been experimenting with camera profiles and settings on my GH4, with the aim of getting best dynamic range and picture quality as well as the simplest workflow possible from camera to final grade.
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